This experiment was an investigation of the ability of listeners to identify the constituents of double vowels (pairs of synthetic vowels, presented concurrently and binaurally). Three variables were manipulated: (1) the size of the difference in F0 between the constituents (0, 1/2, and 6 semitones); (2) the frequency relations among the sinusoids making up the constituents: harmonic, shifted (spaced equally in frequency but not integer multiples of the F0), and random; and (3) the relationship between the F0 contours imposed on the constituents: steady state, gliding in parallel, or gliding in opposite directions. It was assumed that, in the case of the gliding contours, the harmonics of each vowel would "trace out" their spectral envelope and potentially improve the definition of the formant locations. It was also assumed that the application of different F0 contours would introduce differences in the direction of harmonic movement (common fate), thus aiding the perceptual segregation of the two vowels. The major findings were the following: (1) For harmonic constituents, a difference in F0 leads to improved identification performance. Neither tracing nor common-fate differences add to the effect of pitch differences. (2) For shifted constituents, a difference between the spacing of the constituents also leads to improved performance. Formant tracing and common fate contribute some further improvement. (3) For random constituents, tracing does not contribute, but common fate does.